台北當代藝術館 MoCA on Air

Introduction | What happens to art when an entire community becomes a museum?    In this episode, we meet Thai artist collective Baan Noorg Collaborative Arts and Culture. They take us inside a pop-up museum staged across their community as part of a biennial, and an art experiment that invites people to apply to live in an apartment. These projects grew from their ongoing exploration of Thai–Myanmar relations and their efforts to connect small local communities.   Baan Noorg began with a return home. Working amid concrete buildings, everyday labor, and relationships within the community, they continue to reshape their practice in response to the people and places around them. Their work asks what art can become when it finds a place in shared life.   This season expands on the theme of MoCA TAIPEI’s 2026 exhibition Withdrawal: Our Collective Existence, exploring how contemporary artists approach collectivity as a form of knowledge production, a strategy for survival, and an aesthetic practice. The series features conversations with artist collectives, artist-run spaces, and self-organized initiatives from Taiwan and neighboring Asian countries. Through these conversations, we look at how artists activate spaces, cultivate diverse communities, and build creative practices and collective bonds—offering a glimpse into the fluid and evolving forms of collectivity in contemporary art across Taiwan and Asia.   Outline | 03:35 What brought them home 08:18 Bangkok’s art scene 09:15 Community building as an artistic method 11:03 A web of connections: How did Baan Noorg’s members meet? 17:33 Taiwan–Thailand exchange: Rural and global at the same time 22:48 Biennial I: A pop-up museum of community history 25:09 Biennial II: Thai–Myanmar relations and sharing space across divides 53:48 Biennials and triennials: Toward a healthier way of making art 58:16 How does Baan Noorg use space? 01:02:12 The benefits and drawbacks of grants—and earning their own income 01:13:48 The romance and reality of working as a collective    Host | Ileana Tu aka. Miss Bench A travel-addicted curator, grassroots art critic, and observer of daily spectacles. Focuses on art institutions that exist in a “state of exception” between museums and galleries. By day, a museum professional; by night, she transforms into “Miss Bench” to conduct writing and curatorial experiments, using exhibitions to open up spaces for social dialogue.   Guest | jiandyin jiandyin (ji b. Ratchaburi | yin b. Chiang Mai), are interdisciplinary duo artists and curators, live and work in Ratchaburi, Thailand. Their work is research-oriented, rooted in tangible and often overlooked realities–whether historical, political, social, and marginalization, body of work approaches various modes of expression and a wide range of disciplines and mediums, through collaborations and social engagement.   Krittaporn Mahaweerarat Krittaporn Mahaweerarat (b. Loei) is an art practitioner currently pursuing an MFA in Public Art and New Artistic Strategies. Her practice questions her role within the communities she inhabits, exploring the intersection of magical realism and empirical reality through narratives that connect human and non-human realms.   Baan Noorg Collaborative Arts and Culture Baan Noorg Collaborative Arts and Culture is a non-profit, artist-run initiative, a fundamental strategy for community development and a service-provider for artistic practice. Located in the Nongpho subdistrict, Ratchaburi, it aims to find out possibilities for exchange, integration and co-existence within the community—locally and globally, and to build up community sustainability according to the group’s claim: Baan Noorg is Future is Now.   References | 1.Baan Noorg Collaborative Arts and Culture https://www.instagram.com/baannoorgcollaborative_th/ 2.我們如何一同想像共生的下個十年–Baan Noorg藝術與社區計畫｜打開–當代藝術工作站｜國藝會文化交流 https://archive.ncafroc.org.tw/result?id=700eeae98fc348ee93bbf3ccac523822 3.OFF LAB#1/2014: Pop Up Museum–Model study for Nongpo community https://www.baannoorg.org/dayofflab/pop-up-community-history-museum/ 4.OFF LAB#2/2016: 365 Days: LIFE MUSE https://www.baannoorg.org/dayofflab/365-days-life-muse-2/ -微型政治、微型歷史及其意識 再寫「365天：生活美術館」｜鄭文琦｜典藏 藝術觀點 https://artouch.com/art-views/content-834.html 5.OFF LAB#3/2018: Local Agents https://www.baannoorg.org/dayofflab/local-agents/ -在地代理Logal Agents（Nongpho社區學習計畫）｜打開–當代藝術工作站｜國藝會文化交流 https://archive.ncafroc.org.tw/result;jsessionid=843346F64E888605280F93B6EB26228A?id=1213d78fc5ac4aae865ba9ac553ce042 6.Baan Noorg Biennial #4 Chaõ Hāus, really?: Nongpho Community International Art Festival 2024 https://www.baannoorg.org/baan-noorg-biennial4-2023-nong-pho-the-tai-yuan-diaspora/ 7.documenta fifteen: ‘Churning Milk: the Rituals of Things’ (2022) https://www.baannoorg.org/baan-noorg-documenta-fifteen/ -【卡塞爾現場】打開—當代×Baan Noorg：台泰德共創「翻攪乳海」｜國藝會線上誌 https://mag.ncafroc.org.tw/article_detail?sid=837 8.NPKD (NongpoKiDdee) https://www.baannoorg.org/npkd/   Music | Intro music: “Vibing Over Venus” Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ – FB：https://www.facebook.com/TaipeiMoCA Email：mocaresearch@mocataipei.org.tw – Sponsor: Ji Hui-Neng Art and Culture Foundation      90. S12EP08｜Baan Noorg 在泰國鄉村生產藝術：當整個社區成為美術館（ft. jiandyin & Krittaporn Mahaweerarat）   【節目簡介】 當整個社區都能成為美術館，藝術如何融入在地日常？   本集邀請泰國藝術團體 Baan Noorg 藝術與文化合作社，分享他們如何讓雙年展以游擊形式出現在社區各處，並透過公開徵選，邀請住戶入住公寓、參與藝術實驗。這些計畫也是他們長期思考緬泰關係、連結在地小型社群的方式。    從最初「返鄉」成立藝術團體開始，他們回到水泥建築、日常勞動與社群關係之中，不斷學習調整自己與作品的形狀，讓藝術不再等待一個標準的展示空間，而能在共同生活中找到自己的位置。   本季Podcast延伸自台北當代藝術館年度主展「凹陷：我們的團體生活」，探討當代藝術創作者如何透過「集體性」開展知識生產、生存策略與美學實踐。我們將討論拓展至臺灣與亞洲周邊國家的藝術團體、自營空間與自組行動，訪問如何透過空間的運用與轉譯、多元社群的經營與連結，開展創作行動與團體情感，以此記錄臺灣及亞洲當代藝術中多元且流動的集體能量。   【大綱標記】 03:35 回家的契機 08:18 曼谷的藝術生態 09:15 社群的方法＝藝術的方法 11:03 蜘蛛網：Baan Noorg 的成員如何遇見彼此？ 17:33 台泰交流：rural and global at the same time 22:48 雙年展一：「游擊美術館—社區的歷史」 25:09 雙年展二：緬泰，敵人如何共存在一個空間裡 53:48 雙年展／三年展：更健康的藝術生產模式 58:16 Baan Noorg 如何使用空間？ 01:02:12 補助的好（與壞）（與自產） 01:13:48 團體的浪漫與現實   【主持人】 杜依玲 aka 長椅小姐 一名對旅行上癮的策展人、平民藝評人、日常中的奇觀鑒察者。 關注介於美術館與畫廊之間處於「例外狀態」的藝術機構。白天是美術館的上班族，夜晚化身爲「長椅小姐」進行書寫及策展實驗，透過展覽打開社會對話的空間。   【講者】 jiandyin ji生於泰國拉差汶里府，yin生於泰國清邁，兩人組成跨領域藝術創作與策展雙人組，現居並工作於泰國拉差汶里府。其創作以研究為導向，立基於具體卻往往被忽略的現實，關注歷史、政治、社會與邊緣化處境等面向；創作透過協作與社會參與展開，表現形式多元，橫跨不同領域與媒材。   Krittaporn Mahaweerarat 生於泰國黎府，為藝術實踐者，目前於「公共藝術與新藝術策略」藝術創作碩士學程就讀。她的創作反思自身在所處社群中的角色，並透過連結人與非人世界的敘事，探索魔幻寫實與經驗現實的交會。   Baan Noorg 藝術與文化合作社 為非營利、由藝術家自主營運的倡議組織，以社區發展為核心策略，並為藝術實踐提供支持與服務。團體設於泰國拉差汶里府菩澤村（Nongpho），致力於探索在地與全球社群之間交流、整合與共存的可能，並秉持「Baan Noorg is Future is Now」（Baan Noorg 即未來，未來即現在）的理念，推動社區永續發展。   【參考資料】 1.Baan Noorg https://www.instagram.com/baannoorgcollaborative_th/ 2.我們如何一同想像共生的下個十年–Baan Noorg藝術與社區計畫｜打開–當代藝術工作站｜國藝會文化交流 https://archive.ncafroc.org.tw/result?id=700eeae98fc348ee93bbf3ccac523822 3.「游擊美術館－社區的歷史」OFF LAB#1/2014: Pop Up Museum–Model study for Nongpo community https://www.baannoorg.org/dayofflab/pop-up-community-history-museum/ 4.「365日－生活靈感」OFF LAB#2/2016: 365 Days: LIFE MUSE https://www.baannoorg.org/dayofflab/365-days-life-muse-2/ -微型政治、微型歷史及其意識 再寫「365天：生活美術館」｜鄭文琦｜典藏 藝術觀點 https://artouch.com/art-views/content-834.html 5.「在地代理」OFF LAB#3/2018: Local Agents https://www.baannoorg.org/dayofflab/local-agents/ -在地代理Logal Agents（Nongpho社區學習計畫）｜打開–當代藝術工作站｜國藝會文化交流 https://archive.ncafroc.org.tw/result;jsessionid=843346F64E888605280F93B6EB26228A?id=1213d78fc5ac4aae865ba9ac553ce042 6.Baan Noorg Biennial #4 Chaõ Hāus, really?: Nongpho Community International Art Festival 2024 https://www.baannoorg.org/baan-noorg-biennial4-2023-nong-pho-the-tai-yuan-diaspora/ 7.documenta fifteen: ‘Churning Milk: the Rituals of Things’ (2022) https://www.baannoorg.org/baan-noorg-documenta-fifteen/ -【卡塞爾現場】打開—當代×Baan Noorg：台泰德共創「翻攪乳海」｜國藝會線上誌 https://mag.ncafroc.org.tw/article_detail?sid=837 8.NPKD (NongpoKiDdee) https://www.baannoorg.org/npkd/   【襯樂】 片頭／片尾： "Vibing Over Venus" Kevin MacLeod (incompetech.com)  Licensed under Creative Commons: By Attribution 4.0 License  http://creativecommons.org/licenses/by/4.0/ - FB：https://www.facebook.com/TaipeiMoCA 聽眾信箱：mocaresearch@mocataipei.org.tw -- 贊助單位：財團法人紀慧能藝術文化基金會

【節目簡介】 如果要成立一個藝術空間，你會選擇在哪個城市，又想讓誰走進來？ 本集邀請众藝術總監劉瑋英，分享櫥窗、客廳如何讓觀眾卸下防備，默默引渡當代藝術；茶、蔥油餅、玉蘭花，又如何讓駐村藝術家在短時間內認識桃園在地。過去翻轉校園藝術教育，到開設藝術空間與在地民眾交陪，是他對當代藝術走向大眾日常的藝術嘗試。   本季 Podcast 延伸自台北當代藝術館年度主展「凹陷：我們的團體生活」，探討當代藝術創作者如何透過「集體性」開展知識生產、生存策略與美學實踐。我們將討論拓展至臺灣與亞洲周邊國家的藝術團體、自營空間與自組行動，訪問如何透過空間的運用與轉譯、多元社群的經營與連結，開展創作行動與團體情感，以此記錄臺灣及亞洲當代藝術中多元且流動的集體能量。   【大綱標記】 03:18 為何選擇桃園？ 05:51 众藝術的櫥窗、白盒子、陶藝教室 13:11 空間經營分工 27:06 藝術空間與校園合作 32:25 當代藝術的觀眾是誰？ 34:45 自營空間、機構化評選、人情壓力 39:05 駐村藝術家如何認識在地？ 50:20 在地交陪，藝術家小客廳 60:43 未來的計畫   【主持人】 杜依玲 aka 長椅小姐 一名對旅行上癮的策展人、平民藝評人、日常中的奇觀鑒察者。 關注介於美術館與畫廊之間處於「例外狀態」的藝術機構。白天是美術館的上班族，夜晚化身爲「長椅小姐」進行書寫及策展實驗，透過展覽打開社會對話的空間。   【講者】 劉瑋英 众藝術總監。出生於桃園的藝術家與藝術工作者，2017年與众藝術負責人邱鴻程共同創辦众藝術。她以地方的文化主題作為藝術場域的主體價值，結合各種領域（教育、社區與生活）與藝術產生對話，也透過藝術方法辦理各種不同的地方活動（市集、刊物與駐村）。   众藝術 众藝術是一個以桃園地方關係緣起的當代實驗空間，運用不同的行動方法與藝術對話，在近十年的巷弄中串起文化的火苗。   【參考資料】 1.众藝術 https://www.facebook.com/ZATaoyuan/?locale=zh_TW -众藝術–藝術家小客廳 https://www.facebook.com/profile.php?id=61571081639212 2.梁廷毓，【众藝術】朝向一種「众」的地方美學，國藝會線上誌，2024 https://mag.ncafroc.org.tw/article_detail?sid=899 3.「众製輿圖—藝術行動計畫」，2019 https://www.facebook.com/ZATaoyuan/posts/3448447598514290/ 4.「河上走走—在地藝文市集」，2020 https://zone-art.wixsite.com/website/post/河上走走－在地藝文市集 5.Jae Youl Jeoung，《記憶痕跡》（Memory Foam），2023年駐村交流展 https://zone-art.wixsite.com/website/副本-2023-09-日常序列-1 6.邱斯基（107畫廊、Z書房、黑白切） https://www.taiwan-panorama.com/Articles/Details?Guid=9b87f180-8c99-4f74-b7c1-de1ee109a385&CatId=7&postname=黑白切市場聯盟-精彩上菜！&srsltid=AfmBOoplFK7lhvCQvnFr-yGTolDQj7PgSe_kLk5rywpOWEPFw9guQ1TN -黑白切藝文空間 https://tcaaarchive.org/Keyword/Entry/1813 7.鯉魚Carp Gallery https://www.instagram.com/carp__gallery/ 8.窯座 https://www.instagram.com/mynameis_yao/ 9.毛刺Glitch https://www.instagram.com/glitch.home/   【襯樂】 片頭／片尾： "Vibing Over Venus" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ - FB：https://www.facebook.com/TaipeiMoCA 聽眾信箱：mocaresearch@mocataipei.org.tw -- 贊助單位：財團法人紀慧能藝術文化基金會

Introduction | If an art space can be carried elsewhere, what exactly is being carried? In this episode, Vietnamese artist collective ba-bau AIR joins us to share how the image of a pregnant woman inspires their vision of a space full of energy and possibility. They bring this vision to life in an old French-style house in Hanoi, where living, creating, and caring for the space together blur the lines between artist and audience, host and guest—and between the physical and the intangible.   This season expands on the theme of MoCA TAIPEI’s 2026 exhibition Withdrawal: Our Collective Existence, exploring how contemporary artists approach collectivity as a form of knowledge production, a strategy for survival, and an aesthetic practice. The series features conversations with artist collectives, artist-run spaces, and self-organized initiatives from Taiwan and neighboring Asian countries. Through these conversations, we look at how artists activate spaces, cultivate diverse communities, and build creative practices and collective bonds—offering a glimpse into the fluid and evolving forms of collectivity in contemporary art across Taiwan and Asia.   Outline | 04:47 ba-bau AIR — “Pregnant Woman” 07:58 Duyên: The Catalyst for the Space 10:13 Observations on Vietnam’s Current Art Scene 12:14 Collaborative Creation / Living in a French Colonial-Era House 15:27 The Spirit of the Former Landlord 18:08 The Meaning Behind the Teapot and Teacup 19:57 Fluid Boundaries Between Audience, Artist, and Host 26:20 Plans for the Next Three Years   Host | Ileana Tu aka. Miss Bench A travel-addicted curator, grassroots art critic, and observer of daily spectacles. Focuses on art institutions that exist in a “state of exception” between museums and galleries. By day, a museum professional; by night, she transforms into “Miss Bench” to conduct writing and curatorial experiments, using exhibitions to open up spaces for social dialogue.   Guest | Đinh Thảo Linh  Đinh Thảo Linh, based between Hanoi and Hoa Binh, is an artist and curator exploring hydroelectric landscapes, indigenous knowledge, and human-infrastructure relations.    Kiều-Anh Nguyễn  Kiều-Anh is an interdisciplinary artist focusing on visual and olfactory & thinking about alternative archives to decentralize narratives. Website: kieu-anh-nguyen.com    ba-bau AIR  Founded in 2019, ba-bau AIR – an alternative space: a kitchen, a studio, an artist-in-residence and whatever it could be in Hanoi. ba-bau is a collective (2021) with curators, producers and artists. Their practices focus on designing safe spaces, curation & producing exhibitions, designing programs, emerging interdisciplinary collaborations & community-based work.   References | 1.ba-bau AIR https://www.facebook.com/babauair -kitchen, library and residency spaces https://www.instagram.com/p/CUMKPBZvJ95/?img_index=1 https://www.instagram.com/p/CwpsU1By-Zn/?img_index=1 2.Queer Forever (Nguyen Quoc Thanh’s project) and a Queer Museum (by Dinh Nhung) | to occupy ba-bau space https://www.instagram.com/p/CNmVxh1rdjF/ 3.Nhà Sàn Collective https://nhasan.org Queer House ưhưh22 | documenta15 | 2022 https://documenta-fifteen.de/en/lumbung-members-artists/nha-san-collective/ https://www.instagram.com/p/CeRFnquFGC_/ https://www.instagram.com/p/CfJ-a0MFOUb/ 4.to set the sky in a betel’s bowl / mot cau dung troi trong coi dung trau | 2022 https://www.youtube.com/watch?v=fBBhdEL5R4k 5.B.E.E Farmstay https://www.facebook.com/babauair/posts/pfbid02VV5JddbPDzw5wZCPfov1s3m25QEv7XdRgMWw1n4ZZoKwQ6eboSaiYdavv9JtBUQJl   Music | Intro music: “Vibing Over Venus” Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ – FB：https://www.facebook.com/TaipeiMoCA Email：mocaresearch@mocataipei.org.tw – Sponsor: Ji Hui-Neng Art and Culture Foundation  88. S12EP06｜從一杯茶開始，ba-bau AIR 翻轉主客邊界的空間共享實驗（ft. Đinh Thảo Linh、Kiều Anh Nguyễn） 【節目簡介】 如果藝術空間可以被「帶著走」，被帶走的究竟是什麼？  本集邀請越南藝術團體 ba-bau Air，分享懷孕女人的意象，如何作為他們對富有能量、充滿未知可能的空間想像，實踐在一棟法式老宅中，共同起居、創作，創造出藝術家與觀眾、實體與非實體難辨的流動性空間。 本季 Podcast 延伸自台北當代藝術館年度主展「凹陷：我們的團體生活」，探討當代藝術創作者如何透過「集體性」開展知識生產、生存策略與美學實踐。我們將討論拓展至臺灣與亞洲周邊國家的藝術團體、自營空間與自組行動，訪問如何透過空間的運用與轉譯、多元社群的經營與連結，開展創作行動與團體情感，以此記錄臺灣及亞洲當代藝術中多元且流動的集體能量。   【大綱標記】 04:47 ba-bau AIR—懷孕的女人 07:58 Duyên—空間開始的契機 10:13 越南當下藝術環境觀察 12:14 共同創作／起居的法式老建築 15:27 舊房東的靈魂 18:08 茶壺與茶杯的寓意 19:57 主／客，藝術家／觀眾難辨的流動性空間 26:20 未來三年的計畫   【主持人】 杜依玲 aka 長椅小姐 一名對旅行上癮的策展人、平民藝評人、日常中的奇觀鑒察者。 關注介於美術館與畫廊之間處於「例外狀態」的藝術機構。白天是美術館的上班族，夜晚化身爲「長椅小姐」進行書寫及策展實驗，透過展覽打開社會對話的空間。   【講者】 Đinh Thảo Linh 現居越南河內與和平省，身兼藝術家與策展人，長期關注水力發電地景、原住民族知識，以及人類與基礎設施之間的互動關係。    Kiều-Anh Nguyễn 跨領域藝術家，創作涵蓋視覺與嗅覺媒介，並持續思考如何透過另類檔案的建構，鬆動既有敘事的中心性。個人網站：kieu-anh-nguyen.com   ba-bau AIR 成立於 2019 年，位於越南河內，是一處結合廚房、工作室、駐村與多元實驗功能的另類藝術空間。自 2021 年起，以策展人、製作人及藝術家共同組成的集體形式運作，致力於打造安全的對話場域，並透過策展、展覽製作、公共計畫、跨領域合作及社群實踐，促進新興創作者的交流與實踐。   【參考資料】 1.ba-bau AIR https://www.facebook.com/babauair -廚房、圖書館、駐村空間 https://www.instagram.com/p/CUMKPBZvJ95/?img_index=1 https://www.instagram.com/p/CwpsU1By-Zn/?img_index=1 2.Queer Forever (Nguyen Quoc Thanh’s project) and a Queer Museum (by Dinh Nhung) | to occupy ba-bau space https://www.instagram.com/p/CNmVxh1rdjF/ 3.Nhà Sàn Collective https://nhasan.org Queer House ưhưh22 | documenta15 | 2022 https://documenta-fifteen.de/en/lumbung-members-artists/nha-san-collective/ https://www.instagram.com/p/CeRFnquFGC_/ https://www.instagram.com/p/CfJ-a0MFOUb/ 4.to set the sky in a betel’s bowl / mot cau dung troi trong coi dung trau | 2022 https://www.youtube.com/watch?v=fBBhdEL5R4k 5.B.E.E Farmstay https://www.facebook.com/babauair/posts/pfbid02VV5JddbPDzw5wZCPfov1s3m25QEv7XdRgMWw1n4ZZoKwQ6eboSaiYdavv9JtBUQJl   【襯樂】 片頭／片尾： “Vibing Over Venus” Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ - FB：https://www.facebook.com/TaipeiMoCA 聽眾信箱：mocaresearch@mocataipei.org.tw - 贊助單位：財團法人紀慧能藝術文化基金會

【節目簡介】 成立自營空間是對既有生態有所不滿足？ 本集邀請不存在劇場的兩位負責人，分享他們在臺南一棟透天厝裡經營的劇場與展覽空間，如何在什麼都可以試試看的加法，與抵抗藝術逐漸專業化的減法之間，捍衛業餘，讓他者相遇，而不形成某種固定的vibe。   本季 Podcast 延伸自台北當代藝術館年度主展「凹陷：我們的團體生活」，探討當代藝術創作者如何透過「集體性」開展知識生產、生存策略與美學實踐。我們將討論拓展至臺灣與亞洲周邊國家的藝術團體、自營空間與自組行動，訪問如何透過空間的運用與轉譯、多元社群的經營與連結，開展創作行動與團體情感，以此記錄臺灣及亞洲當代藝術中多元且流動的集體能量。   【大綱標記】 04:35 不存在劇場的起源 18:00 「有沒有產值跟愛，有時候好像是背反的」 20:32 居家空間／展覽的白盒子／劇場的黑盒子 23:42 什麼樣的人會出現在不存在？ 24:52 烏托邦的排他性 34:48 取捨與分工 42:34 遊牧的劇場；網狀的國際交流 55:04 未來的計畫   【主持人】 杜依玲 aka 長椅小姐 一名對旅行上癮的策展人、平民藝評人、日常中的奇觀鑒察者。 關注介於美術館與畫廊之間處於「例外狀態」的藝術機構。白天是美術館的上班族，夜晚化身爲「長椅小姐」進行書寫及策展實驗，透過展覽打開社會對話的空間。   【講者】 不存在劇場 位於臺南，成立於2021年，由陳昱清與古伊琳共同經營。空間具展覽、演出、駐村與日常交流活動，以藝術創作、跨領域串聯為核心，提供藝術家創作實驗與共學的平台。多年來累積在地藝術社群，也持續建立國際交流網絡，進駐及自主交流藝術家來自世界各地，如日、韓、泰、印尼、歐美等。   古伊琳 不存在劇場負責人。1999年生於嘉義，現居臺南，畢業於國立成功大學不分系，輔系臺灣文學。從小跳舞十餘年，從事女性文學與身體表演藝術創作及研究，關注日常藝術實踐與理論轉化的可能，持續研究與實踐亞洲女性藝術社群的自主串連。   陳昱清 不存在劇場負責人。1994年生於臺南，畢業於臺北市立大學舞蹈學系、國立臺北藝術大學藝術跨域研究所。長期從事舞蹈演出與編創，2016年成立清製作，持續與不同領域創作者合作，關注劇場作為社群組織與交流平台的可能性。   【參考資料】 1.不存在劇場（Absence Space） https://www.absencespace.com 2.二號公寓 https://aaa.org.hk/tc/collections/search/archive/space-ii-archive 3.立方計劃空間 https://thecubespace.com/about/ 4.臺南能盛興工廠 -〈能盛興工廠：最苦的小確幸〉，報導者，2016 https://www.twreporter.org/a/taiwanstore-tainai-ffffactory 5.花蓮海或 -〈依山獨立、傍海創生 最嬉皮的海或瘋市集〉，放言，2022 https://www.fountmedia.io/article/160471 6.臺東都蘭糖廠／都蘭新東糖廠文化園區 https://www.facebook.com/Hsintungsugarfactory/?locale=zh_TW 7.阿川行為群（ArTrend Performance Group） https://www.facebook.com/artrendperformancegroup/?locale=zh_TW 8.《百日獨舞祭》 https://www.facebook.com/events/3065510083764229/?locale=hi_IN 9.臺南藝術節「阿索比遊び-不存在劇場遊牧計畫」｜2024 https://tnaf.tainan.gov.tw/index.php?inter=program&category=1145&id=508 10.《萬物生長－不存在劇場深化藝術串連平台》｜2025– https://www.facebook.com/absencespace/posts/pfbid0iR84W5DfufGYY73e5tC5wAjjGkWzK4Pe1Ejm4RRiExWt7ZaHdUVUDjvCznypRPS3l?locale=zh_TW 11.〈2024雅加達雙年展紀念50週年：臺灣「策展地誌學三部曲」梳理與雅加達的歷史連結〉 https://www.verse.com.tw/article/jakarta-biennale-2024 -古伊琳，《「托、切、餵」動作如詩》 -陳昱清，《雲》 12.OCAC打開—當代藝術工作站 https://tcaaarchive.org/Curator/Detail/69bbac4d9bef12cf7504f607   【襯樂】 片頭／片尾： “Vibing Over Venus” Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ - FB：https://www.facebook.com/TaipeiMoCA 聽眾信箱：mocaresearch@mocataipei.org.tw -- 贊助單位：財團法人紀慧能藝術文化基金會

86. S12EP04｜Pangrok Sulap: Collective Life, Woodcuts & Music in Sabah (ft. Adi Helmi Jaini)   Introduction | How does an art collective live and make art together? In this episode, we are joined by Adi from Pangrok Sulap—a collective rooted in the punk rock spirit and the rural communities of Sabah. He shares what it means to build a life and artistic practice together, transforming local memories and shared struggles into powerful woodcut prints.   This season expands on the theme of MoCA TAIPEI’s 2026 exhibition Withdrawal: Our Collective Existence, exploring how contemporary artists approach collectivity as a form of knowledge production, a strategy for survival, and an aesthetic practice. The series features conversations with artist collectives, artist-run spaces, and self-organized initiatives from Taiwan and neighboring Asian countries. Through these conversations, we look at how artists activate spaces, cultivate diverse communities, and build creative practices and collective bonds—offering a glimpse into the fluid and evolving forms of collectivity in contemporary art across Taiwan and Asia.   Outline | 03:48 Getting to know Pangrok Sulap 09:37 Engaging with the community 15:08 Teamwork and collaboration: listening and expressing honestly 22:27 Woodcut and collage: passing down stories beyond words 31:52 Inside Pangrok Sulap’s physical space 41:54 Running a space and unlocking new possibilities 47:01 Pangrok Sulap’s core value: mutual trust   Host | Erica Yu-Wen Huang  Erica Yu-Wen Huang holds a Master of Arts in Museum Studies from University of Leicester, United Kingdom. Formerly Curator of Exhibition and Learning at Centre for Heritage, Arts & Textile (CHAT), Hong Kong and Adjunct Lecturer of Applied Art Institute at National Yang Ming Chiao Tung University, Huang is an independent curator based in Taipei. Her curatorial research focuses on hybrid cultures, migration history, geopolitics, and the dynamics between nature, human beings and the environment.   Guest | Adi Helmi Jaini  Adi Helmi Jaini (b. 1989, Sabah, Malaysia) is a printmaker, spoken word poet, and art director based in Kota Kinabalu. He is part of Pangrok Sulap, a collective known for its woodcut practice and strong connection to community work. Much of his artistic journey is shaped through this collective—working together to carve, print, and create images that reflect shared experiences.   Pangrok Sulap Pangrok Sulap, established in 2010 in Ranau, Sabah, is a dynamic art collective comprising artists, curators, writers, researchers, activists, musicians, graphic designers, and entrepreneurs. This diversity enriches their discipline, enabling them to run various activities and programs. Committed to strengthening the community through art, they organize exhibitions, projects, and collaborations to develop social, cultural, economic, and educational sectors. Since 2013, Pangrok Sulap has participated in numerous local and international art exhibitions and has been actively involved in community projects, forums, workshops, and art studies.   References | Pangrok Sulap https://pangroksulap.com/?fbclid=IwAR0eP6FEyoQwg-NBpLNadgMRpxuK7JZ6Em2gLfhUx3nA64G3WgRraOFEI Communal Work: Collective Carving as Form｜TheCube Project Space｜2022 https://thecubespace.com/project/communal_work/ Green Island Biennial 2025｜Pangrok Sulap｜For Every Freedom, Hope Remains https://www.youtube.com/shorts/jrifcQRXJYA Live and Survive, Pangrok Sulap｜Centre for Heritage, Art and Textile, Hong Kong｜2019 https://www.mill6chat.org/zh-hant/event/開幕表演及酒會/   Music | Intro music: "Vibing Over Venus" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ – FB：https://www.facebook.com/TaipeiMoCA Email：mocaresearch@mocataipei.org.tw – Sponsor: Ji Hui-Neng Art and Culture Foundation    86. S12EP04｜龐克搖滾舍：在沙巴村落的集體生活、音樂與版畫實踐（ft. Adi Helmi Jaini）   【節目簡介】 藝術團體如何一起生活、一起創作？ 本集邀請 Pangrok Sulap 的 Adi，從龐克搖滾與沙巴農民傳統小屋的結合，分享如家人般創作、生活合一的藝術團體，如何將在地的集體經驗與共同記憶刻入版畫。   本季 Podcast 延伸自台北當代藝術館年度主展「凹陷：我們的團體生活」，探討當代藝術創作者如何透過「集體性」開展知識生產、生存策略與美學實踐。我們將討論拓展至臺灣與亞洲周邊國家的藝術團體、自營空間與自組行動，訪問如何透過空間的運用與轉譯、多元社群的經營與連結，開展創作行動與團體情感，以此記錄臺灣及亞洲當代藝術中多元且流動的集體能量。   【大綱標記】 03:48 認識 Pangrok Sulap 09:37 進入社區 15:08 團隊合作如何不吵架？ 22:27 木刻與拼貼：超越文字、傳承故事 31:52 走進 Pangrok Sulap 的實體空間 41:54 經營空間，解鎖新可能 46:50 Pangrok Sulap 的核心價值：互信   【主持人】 黃又文 英國萊斯特大學博物館學碩士。曾任職於香港六廠紡織文化藝術館展覽與共學策展人、陽明交通大學應用藝術研究所兼任講師，現為獨立策展人。研究關注當代社會的多元文化交融、遷徙與移民、地緣政治、以及自然、人類和環境之間的動態關係。   【講者】 Adi Helmi Jaini  1989 年生於馬來西亞沙巴，現居亞庇，為版畫藝術家、口語詩創作者及藝術總監，也是「龐克搖滾舍」成員。其創作深受集體創作經驗影響，透過共同雕刻與印製木刻版畫等創作方式，回應社群共享的生活經驗與地方故事。   龐克搖滾舍 Pangrok Sulap  2010年成立於馬來西亞沙巴州蘭瑙縣，由來自藝術、策展、文學、研究、音樂、設計及社會倡議等不同領域的成員共同組成，發展跨領域創作與公共計畫，並持續透過藝術實踐與社區建立緊密連結。龐克搖滾舍透過展覽、藝術計畫及跨域合作凝聚社群，推動地方文化、社會、教育及經濟發展。自2013年起，團隊積極參與國內外展覽，並持續投入社區計畫、論壇、工作坊及藝術研究等多元實踐。   【參考資料】 龐克搖滾舍 https://pangroksulap.com/?fbclid=IwAR0eP6FEyoQwg-NBpLNadgMRpxuK7JZ6Em2gLfhUx3nA64G3WgRraOFEI 群體深鑿——集體創作作為形式｜立方計劃空間｜2022 https://thecubespace.com/project/communal_work/ 2025綠島人權藝術季｜龐克搖滾社｜《獻給自由，希望的心》 https://www.youtube.com/shorts/jrifcQRXJYA 《生命與生存》龐克搖滾舍｜CHAT香港六場紡織文化藝術館｜2019 https://www.mill6chat.org/zh-hant/event/開幕表演及酒會/   【襯樂】 片頭／片尾： "Vibing Over Venus" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 4.0 License http://creativecommons.org/licenses/by/4.0/ - FB：https://www.facebook.com/TaipeiMoCA 聽眾信箱：mocaresearch@mocataipei.org.tw -- 贊助單位：財團法人紀慧能藝術文化基金會