卡帕熊 微獨白 KappaSean's Monologue

秋天，與炙夏炎炎不同的涼爽，秋天，有些許詩意傷感的惆悵。秋天，是收獲的季節，也是落葉歸根，更是準備冬藏的前奏。敬重的益友與導師，雖您已謝幕，但您留下的，才剛要在每個人心中萌芽...Autumn, a refreshing contrast to the scorching summer heat.Autumn, a poetic melancholy of nostalgia and regret.Autumn, a season of harvest, and of falling leaves returning to their roots...Autumn, a prelude to the winter hibernation of plants and fruits.My esteemed friend and mentor, though you have taken your final bow,What you have left behind, is just beginning tosprout in every heart now...小額贊助支持本節目： https://open.firstory.me/user/clmfct31h00ru01x13iidgv83留言告訴我你對這一集的想法： https://open.firstory.me/user/clmfct31h00ru01x13iidgv83/commentsPowered by Firstory Hosting

請分享，按讚，訂閱卡帕熊微獨白的PodcastPlease share, like, and subscribe to the podcast of Kappa Sean's monologue小額贊助支持本節目：Small donations support this program.https://open.firstory.me/user/clmfct31h00ru01x13iidgv83這是一段私密且個人的即興，在彈完Danny Boy 這首美國民謠後。那是一個美好的時刻，心中還有這旋律的溫度，手便自然的放在了琴鍵上，開始了下一段的樂章。音樂，讓我瞥見了最終之地。This was a private and personal improvisation, after playing Danny Boy, an American folk song.It was a wonderful moment, with the melody still warm in my heart,My hands naturally moved on the keys, starting a new movement.Music, let me glimpse the ultimate destination.如果您喜歡我的演奏，請分享，按讚，訂閱我的頻道。如果您有任何意見或建議，也歡迎您留言告訴我。謝謝您的收聽！Powered by Firstory Hosting

這是日本配樂大師坂本龍一離世新聞發布前9天，在参加一個鋼琴愛好者聚會的現場錄音。這首Merry Christmas, Mr.Lawrence 極具東方內斂的電音編曲，一直都是我很喜歡的曲子。幾年前，在YouTube 頻道上，看到了罹癌後的阪本龍一以鋼琴獨奏了這首，我當場起了雞皮疙瘩。跟原版風格迥然不同的詮釋。沒有了絢麗的電氣音色，去掉了電子節拍，唯一只有琴鍵上沉澱後的音律流動，既撫慰又訴說著電影裡角色自我跟現實的衝突。單純的琴音與和弦營造的氛圍，當下坂本龍一的音樂只屬於坂本龍一。這段演奏，一開始是即興一段序後再第一次進入主題，接下來都照如此的架構進行，最後結束時，會回到當初坂本龍一鋼琴獨奏的開始作為結束，表示對他的敬重和呼應。This is a live recording of the Japanese music master Ryuichi Sakamoto, nine days before the news of his death, at a gathering of piano enthusiasts. This song, Merry Christmas, Mr. Lawrence, has a very oriental and restrained electronic arrangement, and it has always been one of my favorite songs.A few years ago, on YouTube, I saw Sakamoto, who had cancer, playing this song solo on the piano, and I got goosebumps on the spot. It was a completely different interpretation from the original style. Without the brilliant electric sound, without the electronic beat, only the melody flowing from the keys after precipitation, soothing and telling the conflict between the self and reality of the characters in the movie. The simple piano sound and the atmosphere created by the chords, Sakamoto’s music at that moment belonged only to Sakamoto.This performance, starting with an improvised introduction and then entering the main theme for the first time, followed by the same structure, and ending with the beginning of Sakamoto’s piano solo as the end, indicating respect and echo for him.#坂本龍一#SakamotoRyūichi#MerryChristmasMrLawrence小額贊助支持本節目： https://open.firstory.me/user/clmfct31h00ru01x13iidgv83留言告訴我你對這一集的想法： https://open.firstory.me/user/clmfct31h00ru01x13iidgv83/commentsPowered by Firstory Hosting

今天要為您介紹一個鋼琴獨奏作品，叫做遇見般若。般若,是一個梵語詞彙，意思是智慧，也就是能夠洞見一切事物的真實本質和空性的心智能力。般若是佛教中最重要的修行方法之一，也是無上菩提的根本。卡帕熊的鋼琴獨奏作品遇見般若，是一個充滿了感性和理性，自由和有序，多元和統一的音樂風格。他用他的鋼琴即興獨奏，創造出一種既富有詩意和意象，又具有邏輯和結構的音樂語言。他用他的音樂微獨白，與聽眾分享他對於般若的見解和體驗。他用他的音樂探索、學習和飛行，在音樂的無窮盡中，遇見般若。Today I want to introduce you to a piano solo piece, called Meeting Prajna. Prajna is a Sanskrit word, meaning wisdom, which is the mental ability to see the true nature and emptiness of all things. Prajna is one of the most important methods of practice in Buddhism, and also the root of supreme enlightenment. KappaSean's piano solo piece Meeting Prajna is a musical style that is full of sensibility and rationality, freedom and order, diversity and unity. He uses his piano improvisation to create a musical language that is both poetic and imagistic, as well as logical and structured. He uses his musical micro monologue to share his insights and experiences on prajna with the audience. He uses his music to explore, learn and fly in the endlessness of music, Meeting prajna.🧸卡帕熊打賞箱Kappa Sean's Tip Box歡迎請卡帕熊喝咖啡Donation for me,please☺️ :https://p.ecpay.com.tw/D89651BPowered by Firstory Hosting